Aaron, Chloe
"The Video Underground." Art in America 59 (May 1971): 74-79.

Adorno, Theodore and Max Horkheimer
"The Culture Industry: Entertainment as Mass Deception." From The Dialectic of Enlightenment. John Cumming, trans. New York: Continuum, 1944.

Almy, Max
"Leaving the 20th Century: Interview with Max Almy." Camera Obscura 4, no. 12 (1984): 19-27.

Ancona, Victor
"Ed Emshwiller: Combining Inner and Outer Landscapes." Videography (September 1983): 72-80.

"Vibeke Sorenson: Demystifying Video Technology." Videography (February 1979): 66-69.

Antin, David
"Television: Video's Frightful Parent." Artforum 14 (December 1975): 36-45.

"Video: The Distinctive Features of the Medium." [see entry for Video Art by Suzanne, Delahanty, ed.]

Armstrong, Richard and Richard Marshall
The New Sculpture 1965-1975: Between Geometry and Gesture. New York: Whitney Museum of American Art, 1990. [excerpt only.]

Askey, Ruth
"Valie Export." High Performance (spring 1981): 15-16, 80.

Battcock, Gregory, ed.
New Artists Video: A Critical Anthology. New York: E.P. Dutton, 1978. [excerpts only. Contains essays by Krauss, Marshall, Paik, and Ross.]

Bear, Liza
"Man Ray Do You Want To...? An Interview with William Wegman." Avalanche (winter/spring 1973).

"Rita Myers...A Remote Intimacy." Avalanche (winter 1975).

"The Church of Human Energy: Chris Burden, an Interview." Avalanche (summer/fall 1973).

"A Discussion with Terry Fox, Vito Acconci and Dennis Oppenheim." Avalanche (winter 1970).

"I Wanted My Mood to Have an Effect on Their Looks." Avalanche (winter 1971).

"Terry Fox...Children's Videotapes." Avalanche (December 1974).

"Vito Acconci...Command Performance." Avalanche (May/June 1974).

Benjamin, Walter
"Work of Art in the Age of Mechanical Reproduction." From Illuminations, edited by Hanna Arendt. Translated by Harry Zotin. New York: Schocken, 1976.

Birnbaum, Dara
Rough Edits: Popular Image Video. Halifax: Press of the Nova Scotia College of Art and Design, 1987. [excerpts only. Contains essay by Klein.]

Blumenthal, Lyn
"Re:Guarding Video (Preservation)." Afterimage (February 1986): 12-15.

Bogart, Willard van de
"Environmental Media Art." Arts Magazine (September/October 1972).

Borden, Lizzie
"Directions in Video Art." [see entry for Video Art by Suzanne, Delahanty, ed.]

Bowie, Nolan
Blacks and the Mass Media: The Reasons for Action, The Actions to Take. Communications and Society Forum Report. Washington, D.C.: Aspen Institute, 1993.

"Parting Shots: An Expanded Agenda." The Social Impact of Television, A Research Agenda for the 1980s conference at the Aspen Institute, October, 1980.

"WARC: Third World Positions and Achievements." Intergovernmental Systems (1980).

Boyle, Dierdre
"Growing Up WIred." (Kit Fitzgerald and John Sanborn.) American Film (July/August 1982): 21-23.

"Juan Downey's Recent Videotapes." Afterimage (summer 1978): 10-11.

"Subject to Change: Guerilla Television Revisited." College Art Journal 45, no. 3 (fall 1985.

"Who's Who in Video: Bill Viola." Sightlines (spring1983).

Broderick, Peter
"Since Cinema Expanded: Interview with Gene Youngblood." Millennium Film Journal, nos. 20-21 (fall/winter 1988-89).

Brook, Donald
"Idea Demonstrations: Body Art and 'Video Freaks' in Sydney." Studio International (June 1973): 269-73.

Buchloch, Benjamin
"From Gadget Video to Agit Video: Some Notes on Four Recent Video Works." Art Journal 45, no.3(Fall 1985).

Burnham, Jack
"Sacrament and Television." [see entry for Video Art by Suzanne, Delahanty, ed.]

Burnham, Linda
"The Ant Farm Strikes Again." High Performance 6, no. 4 (1983).

Linda Burnham and Steven Durland. "It's all I Can Think About: Interview with Nancy Buchanan." High Performance #25 (1984): 16-20.

"Vidiot Strikes Back." High Performance 7, no 1 (1984).

Cameron, Eric
"Videotape and the University Art Programme." Studio International (June 1974): 289-91.

Campus, Peter
Syracuse, N.Y.: Everson Museum of Art, 1974. [excerpts only].

Carroll, Noel
"Joan Jonas: Making the Image Visible." Artforum 12 (April 1974): 52-53.

Cathcart, Linda
Vasulka: Steina: Machine Vision; Woody: Descriptions. Buffalo, N.Y.: Albright-Knox Gallery, 1978. [excerpts only.]

Chandler, John
"Art in the Electric Age." Art International 13, no. 2 (February 1969): 19-25.

Cieri, Marie
"James Byrne's Video Environments." Afterimage (February 1980): 4-5.

Crimp, Douglas, ed.
Joan Jonas: Scripts and Descriptions, 1968-1982. Berkeley, CA: University Art Museum, 1983. [excerpts only]

Cuba, Larry
"An Introduction to Computer Animation." Video 80 4, (spring/summer 1982). Reprinted in SEND 2, no. 1 (1983).

D'Agostino, Peter, ed.
Transmission: Theory and Practice for a New Television Aesthetics. New York: Tanam Press, 1985. [excerpt only]

Davis, Douglas
Art and the Future: A History-Prophecy of the Collaboration Between Science, Technology, and Art. New York: Praeger, 1973. [excerpts only]

"Art and Technology: The New Combine." Art in America 56 (January 1986): 28-37.

"The Challenge of New Media: Two Viewpoints; Notes for a Prologue to a Decade." Art Journal (Spring 1982): 46-47.

"Media/Art/Media: Notes Toward a Definition of Form." Arts Magazine 46 (September 1971): 43-45.

David Douglas and Allison Simmons, eds.
The New Television: A Public/Private Art. Essays, statements, and videotapes based on "Open Circuits: An International Conference on the Future of Television," Museum of Modern Art, 1974. Cambridge: MIT Press, 1977. [excerpts only.]

Debord, Guy
The Society of the Spectacle. Detroit: Black and Red, 1983.

Delahanty, Suzanne, ed.
Video Art. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1975. [excerpts only. Contains essays by Antin, Borden, and Burnham.]

DiMattia, Joseph
"The Self: American Video Art Concerning Identity: Psychological, Sexual, and Ethnic." Program notes to series of videos and lectures. Helsinki: Museum of Contemporary Art, 1992.

Edelman, Rob
"Who's Who in Video: Doris Chase." Sightlines (spring/summer 1986): 27-28.

Findsen, O
"Bienal Politics: Vetoed Politics and the American Protest." Art News (February 1976).

Five Artists and Their Video Work
Seattle: and/or Gallery, 1975. [excerpts only.]

Foley, Suzanne
Space Time Sound: conceptual Art in the San Francisco Bay Area in the 1970's. Chronology by Constance Lewallen. San Francisco: San Francisco Museum of Modern Art, 1981. [excerpts only.]

Freed, Hermine
"In Time, Of Time." Arts Magazine (June 1975): 82-84.

Furlong, Lucinda
"Big Bird Goes to the Museum (Video and Satellite)." Afterimage (January 1983: 15-16.

"Color My World: Chicago Video." Afterimage (October 1982): 18-19.

"Electronic Backtalk: The Art of Interactive Video." Independent 11, no. 4 (May 1988): 14-20.

"Getting High Tech: The 'New' Television." Independent 8, no. 2 (March 1985): 14-16.

"A Manner of Speaking: An Interview with Gary Hill." Afterimage (March 1983): 9-12.

"Notes Toward a History of Image-Processed Video: Eric Seigel, Stephen Beck, Dan Sandin, Steve Rutt, Bill and Louise Etra." Afterimage (summer 1983): 35-38.

"Notes Toward a History of Image-Processed Video: Steina and Woody Vasulka." Afterimage (October 1983): 12-17.

"Raster Masters: Review of 'Video Art: A History at MoMA." Afterimage (March 1984): 17-18.

"Recipes for Television: Theory Creams Practice at the Kitchen." Afterimage (January 1981): 3-4.

Gale, Peggy
"The Problem of Description." [see entry for Video by Rene Payant, ed.]

Gardner, Paul
"Tuning in to Nam June Paik." Artnews 80, no. 5 (1982): 64-73.

Gever, Martha
"Bill proposes 'Free Market' for Broadcasting." Afterimage (October 1978): 7.

"An interview with Martha Rosler." Interview by Martha Gever. Afterimage (October 1981).

"Like a Rolling Stone: Memories of TVTV." Independent 11, no. 7 (August/September 1988): 16-17.

"Mary Lucier's Elemental Investigations." Afterimage (February1982): 8.

"Meet the Press: On Paper Tiger Television." Afterimage 11, no. 4 (November 1983): 7-11.

"Pomp & Circumstance/The Coronation of Nam June Paik." Afterimage (October 1982): 12-15.

"Underdeveloped Media, Overdeveloped Technology." Independent 8, no. 7 (September 1985): 15-17.

"Video Politics: Early Feminist Projects." Afterimage (summer 1983): 25-27. Reprinted in Cultures in Contention. Douglas Kahn and Diane Neumaier, eds. Seattle: Real Comet Press, 1985.

Gitlin, Todd
"16 Notes on Television and the Movement." Tri-Quarterly Literature Review (winter/spring 1972): 335-366.

The Whole World is Watching: Mass Media in the Making and the Unmaking of the New Left. Berkely: University of California Press, 1980.

Goldberg, Roselee
"Video Art and Cable TV in New York." Studio International 191, no. 981 (May/June 1976): 239.

Performance: Live Art, 1909 to the Present. New York: Harry N. Abrams, Inc., 1979.

Goldson, Annie
"Three-Minute Heroes." Heresies 16 vol. 4, no.4 (1983): 6-10.

Gorewitz, Shalom
"Passages at the Experimental Television Center." Independent 6, no. 9 (November 1983): 19-21.

"Video From the Kitchen." Changes (July 1973): 12.

Grace, Sharon
"An Interview with Shigeko Kubota." Art Com 4 (3), no. 15 (1981): 22-26.

Graham, Dan
"Architecture/Video Projects." Studio International (September 1975):143-146.

Dan Graham:Video Architecture Television: Writing on Video and Video Works. Benjamin Buchloh, ed. Halifax: Press of the Nova Scotia College of Art and Design, 1979. [excerpts only.]

"New Wave Rock and the Feminine." Museum Journal (Otterloo) 26, no.1 (1981): 16-32. Also in Rock My Religion. Boston: MIT Press, 1993.

Greene, Alexis
"Caught in the Act (videoperformance)." American Film (June 1982): 67-70, 76.

Greenfield, Amy
"The Big Apple: First in Video." American Film (November 1980): 21-28.

Gusella, Ernest
"Talking Heads." Afterimage (November 1975): 7.

Hagen, Charles
"Breaking the Box: The Electronic Operas of Robert Ashley and Woody Vasulka." Artforum 23, no. 7 (March 1985).

Hagen and Laddy Kite
"Walter Wright and His Amazing Video Machine." Afterimage (April 1975): 6-8.

Hagen, John
"An Interview with Woody Vasulka." Interview by Charles Hagen. Afterimage (summer 1978): 20-31.

Hall, Sue and John Hopkins
"The Metasoftware of Video." Studio International 191, no. 981 (May/June 1976): 24-27.

Hanhardt, John
"The Passion for Perceiving: Expanded Forms of Film and Video Art." Art Journal 45, no. 3 (fall 1985).

Video Culture: A Critical Investigation. Rochester, N.Y.: Visual Studies Workshop Press and Peregrine Smith Books, 1986. [excerpts only.]

Herzogenrath, Wulf
"Eight Pieces by Dan Graham." Studio International (May 1972).

"Video Art and Television in West Germany 1963-1984." [see entry for Video by Rene Payant, ed.]

Hoberman, J.
"The Reflecting Pool: Bill Viola and the Visionary Company." [see entry for Bill Viola by Barbara London, ed.]

"Video Art: Paradoxes & Amusement Parks." American Film 6, no. 6, (April 1981): 17, 20-21.

Howard, Brice
Videospace and Image Experience. San Francisco: National Center for Experiments in Television, 1972.

Huffman, Kathy
Video, A Retrospective, 1974-84. Long Beach, CA: Long Beach Museum of Art, 1984. [excerpts only. Contains essays by Ross and Viola]

Hulser, Kathleen
Skip Blumberg's Great Performances." American Film (July/August 1983).

Iskin, Ruth E
"Video for the Bienale." Artweek 11, no.26 (August 2, 1980): 120.

Jan, Alfred
"Lyn Hershman: Processes of Empowerment." High Performance no. 32 (1985): 36-38.

Junker, Howard
"Joan Jonas: The Mirror Staged." Art in America (February 1981): 87-93.

"Video Installation: Paul Kos and the Sculptured Monitor." Arts Magazine (November 1975): 64-66.

Kaprow, Allan
"Video Art: Old Wine, New Bottle." Artforum (June 1974): 46-49.

Keil, Bob
"A Place for Production." Artweek (February 2, 1980): 2.

"TV Time/Video Time." Artweek 10, no.13 (March 13, 1979): 5; Artweek 10, no. 18 (May 5, 1979): 15.

Kirshner, Judith Rossi, ed.
Vito Acconci: A Retrospective, 1969-1980. Chicago: Museum of Contemporary Art, 1980. [excerpts only.]

Kite, Laddy
"Electronic Ceremonies in Rochester." Afterimage (October 1974): 2-3.

Kleckner, Susan
"A Personal Decade." Heresies vol. 4, no.16 (1983):77-79.

Klein, Norman M.
"Audience Culture and the Video Screen." [see entry for Rough Edits by Dara Birnbaum.]

Krauss, Rosalind
"The Aesthetics of Narcissism." [see entry for New Artists Video by Gregory Battcock, ed.]

Passages in Modern Sculpture. Cambridge: MIT Press, 1981.

Kurtz, Bruce
"Artists Video at the Crossroads." Art in America 65 (January 1977): 36-40.

"Fields: Peter Campus." Arts Magazine (May 1973): 25-29.

"Paikvision." Artforum. 21, no. 2 (1982): 52-55.

"Video is Being Invented." Arts Magazine 47 (December/January 1973): 37-44.

Kuspit, Donald
"Bill Viola: Deconstructing Presence." see entry for Bill Viola by Barbara London, ed.]

Larsen, Ernest
"For an Impure Cinevideo." The Independent.

Lavin, M.
"Notes on William Wegman." Artforum vol. 13 (March 1975): 44-47.

Levin, G. Roy
"Raindance (Michael Shamberg) and Videofreex (David Cort)." In Documentary Explorations by G. Roy Levin. New York: Anchor Books, 1971.

Levine, Les
"The Information Fallout. Studio International 181 (April 1971)) pp. 264-267.

London, Barbara, ed.
Bill Viola. New York: Museum of Modern ART, 1987. [excerpts only. Contains essays by Hoberman and Kuspit.]

"Independent Video: The First Fifteen Years." Artforum 19, no. 11 (September 1980): 38-41.

Lorber, Richard
"Doris Chase." Arts Magazine (September 1976): 10.

Lord, Catherine
"It's the Thought That Counts: Video as Attitude." Afterimage 11, no. 3 (October 1983): 9-11.

Lord, Chip
"TVTV/Video Pioneers: 10 Years Later." SEND (summer 1983): 18-23.

MacAdams, Lewis
"Guts and Fortitude: Kathy Huffman and Video Artists Put the Long Beach Museum of Art on the Map." High Performance #25 (1984): 40-42.

Mallary, Robert
"Computer Sculpture: Six Levels of Cybernetics." Artforum (May 1969): 29-35.

Margolies, John
"TV: The Next Medium." Art in America 57, no. 5 (September/October 1969): 48-55.

Marshall, Stuart
"Video Art, the Imaginary and the Parole Video." Studio International 191 (May 1976: 24-27.

"Video-Technology and Practice." Screen 20, no. 1 (spring 1979): 109-119.

Mayer, Rosemary
"Dan Graham: Past/Present" Art in America (November/December 1975): 83-85.

McGee, Mickie
"Artists Making the News: Artists Re-Making the News." Afterimage (November 1982): 6-9.

"Narcissism, Feminism and Video Art: Some Solutions to a Problem in Representation." Heresies no. 122 (spring 1981): 88-91.

McKenna, Gregory
"Interactive Video." Art Com 5 (1), no. 17 (1982) 30-31, 47.

"New Video Art Reaches Cable Audiences: Cable TV Paves the Way for Post-Video Art." Art Com 5 (4), no. 20 (1982): 28-30, 57.

"Producing Post-Video Art Video." Art Com 5(3), no.19 (1982):25-27, 33.

Mellencamp, Patricia
"Avant-garde TV Simulation and Surveillance." [see entry for Video by Rene Payant, ed.]

Meyer, Ursula
Coneptual Art. New York: Dutton, 1972. [excerpts only.]

Minkowsky, John
"Recycling Video: Sorting Through the Past." Afterimage (January 1992): 3.

"The Videotape Collection at Media Study/Buffalo: A Report." Afterimage 5, no.7 (February 1978: 4-5.

Morris, Robert
"Exchange '73: From a Videotape by Robert Morris." Avalanche no. 8 (summer/fall 1973): 22-25.

"Notes on Sculpture." Artforum 4 (February 1966): 42-44.

Muntadas, Antonio, Robert Nickas, and Berta Sichel.
"60's Spirit, 80's Tech: Nam June Paik Home TV." SEND (spring 1985): 20-24.

Murray, Michael
The Videotape Book: A Basic Guide to Portable TV Production for Families, Friends, Schools, and Neighborhoods. New Yorkl: Bantam, 1974. [excerpts only.]

Owens, Craig
"The Discourse of Others: Feminists and Postmodernism." In the Anti-Aesthetic: Essays on Post-Modern Culture, edited by Hal Foster. Port Townsend, Wash.: Bay Press, 1983.

"Phantasmagoria of the Media." Art in America (May 1982).

Paik, Nam June
"Random Access Information." Artforum, no. 19 (September 1980): 46-49.

"Videa, Vidiot, Videology." [see entry for New Artists Video by Gregory Battcock, ed.]

Payant, Rene, ed.
Video. International Video Conference. Montreal: Artextes, 1986. [excerpts only. Contains essays by Sturken, Gale, Mellencamp, Welsh, and Herzogenrath.]

Perrone, Jeff
"The Ins and Outs of Video, Artforum, no. 14 (June 1976): 53-57.

Pincus-Witten, Robert
"Keith Sonnier: Video and Film as Color-Field." Artforum (May 1972): 35-37.

Price, Jonathan
"Video Art: A Medium Discovering Itself." Art News 76 (January 1977): 41-47.

Rabinovitz, Lauren
"Choreography of Cinema: An Interview with Shirley Clarke." Afterimage (December 1993) 8-11.

Rainer, Yvonne
"The Performer as a Persona: An Interview with Yvonne Rainer." Avalanche, no. 5 (summer 1972).

Rosler, Martha
"The Birth and Death of the Viewer: On the Public Function of Art." From Discussions in Contemporary Culture, edited by Hal Foster. No. 1. Dia Art Foundation. Seattle: Bay Press, 1987.

"Notes on Quotes." Wedge, no. 2 (fall 1982).

"Shedding the Utopian Moment." Block no.11, (1985/1986).

"Video Art, Its Audience, Its Public." The Independent 10, no.10 (December1987): 14-17.

Ross, David
"Paik/Gillette/Downey: Process and Ritual." Artscanada 30, no. 4 (1973).

"A provisional Overview of Artists' Television in the U.S." [see entry for New Artists Video by Gregory Battcock, ed.]

"A Room with A a View." [see entry for Video: A Retrospective by Kathy Huffman, ed.]

"The Success of the Failure of Video Art." Videography 10, no. 5 (May 1985): 64-70. Ryan, Paul. Cybernetics of the Sacred. Garden City, New York: Anchor Press/Doubleday, 1974.

"A Genealogy of Video." Leonardo 21, no.1 (1988): 39-44.

Video Mind, Earth Mind: Art, Communications, and Ecology. New York: Peter Lang, 1993.

Schiller, Herb
The Mind Managers. Boston: Beacon Press, 1973. [excerpts only.]

Schimmel, Paul and Nam June Paik. "Abstract Time." Arts Magazine, no 49 (December 1974): 52-53.

Sharp, Willoughby. "Interview (Bruce Nauman)." Avalanche no. 2 (winter 1971):22-25.

"Nauman Interview." Interview by Willoughby Sharp. Arts Magazine (March 1970).

"Lawrence Weiner at Amsterdam." Avalanche, no. 4 (spring 1972).

"Terry Fox: Elemental Gestures." Avalanche (April 1970).

Herb Schiller and Liza Bear. "Rumbles." Avalanche (summer 1972).

Simmons, Richard
Everson Video Revue. Syracuse, N.Y.: Everson Museum of Art, 1979.

Smith, Ralph Lee
"The Wired Nation." Special Issue. The Nation 210, no. 19 (May 18, 1970): 582-606.

Stofflet, Mary
"California Video: Art or Television." Studio International 195 (June 1982) 75-79.

Sturken, Marita
"An Interview with Barbara Buckner." Afterimage (May 1985): 6-9.

"An Interview with David Ross." Afterimage (February 1988).

"An Interview with George Stoney." Afterimage 11, no. 6 (January 1984): 7-11.

"A Narrative Conceit." Afterimage 9, no.9 (April 1982): 10-11.

"Private Money and Personal Influence: Howard Klein and the Rockefeller Foundation's Funding of the Media Arts." Afterimage (January 1987).

"Temporal Interventions: The Videotapes of Bill Viola." Afterimage (summer 1982): 28-31.

Tamblyn, Christine
"Video Art:An Historical Sketch." High Performance, no. 37 (1987): 33-37.

"Video Roundup." New Art Examiner (December 1976): 3.

Thomson, Patricia
"Independents on Television." Afterimage ((summer 1983): 28-30.

Thorburn, Ray
"Ray Thorburn Talks with Keith Sonnier." Art International (January/February 1976).

Toffler, Alvin
Future Shock. New York, Bantam Books, 1970. [excerpts only].

Trend, David
"WNET Loss? TV Lab Suspends Operations in Dispute with New York State Council on the Arts." Afterimage (summer 1983): 3, 53.

Vasulka, Woody and Scott Nygren.
"Didactic Video: Organizational Models of the Electronic Image." Afterimage (October 1975): 9-13.

Viola, Bill
"History, 10 Years, and the Dreamtime." [see entry for Video: A Retrospective by Kathy Huffman, ed.]

Weinstock, Jane
"Interview With Martha Rosler." October no. 17 (Summer 1981).

Welsh, Jeremy
"Mixed Metaphors: Broken Codes." [see entry for Video by Rene Payant, ed.]

White, Robin
"Great Expectations: Artists' TV Guide." Artforum 20, no. 10 (June 1982):40-47.

Whitney, John H.
"A Computer Art for the Video Picture Wall." Art International, no. 15 (September 1971: 35-38.

Wooster, Ann-Sargent
"An Armory of Mirrors: Juan Downey's 'Looking Glass.'" Afterimage 10, no. 12 (summer 1982): 24-27.

"Why Don't They Tell Stories Like They Used To?" Art Journal 45, no. 3 (fall 1985.

Yalkut, Jud
"Art and Technology of Nam June Paik." Arts Magazine, no. 42 (April/68): 50-51.

"Frank Gillette and Ira Schneider: Parts I and II of an Interview." Radical Software, no. 1 (summer 1970.)

"Talking Heads in Video Space." From Electronic Zen: The Alternate Video Generation. Unpublished manuscript.

"TV as a Creative Medium at Howard Wise Gallery." Arts Magazine, no. 44 (September 1969): 18.

Youngblood, Gene
"Ed Emshwiller's Skin Matrix: An Interview." SEND, no. 10 (spring 1985).

Expanded Cinema. New York: E. P. Dutton and Co., 1970. [excerpts only.]